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The “RIM4K” model is not without drawbacks. First, it fragments attention: consumers chase resolution and release dates rather than narrative depth or artistic merit. Second, it fuels media piracy; codes like these are the lingua franca of unauthorized distribution networks, costing the industry billions annually. Third, the focus on 4K remasters often diverts studio resources from funding original mid-budget films—the traditional heart of popular cinema—in favor of polishing existing intellectual property.

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