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Mona receives unexpected "tender loving care" from Mother Joan’s soft-hearted assistant, Sister Mary.

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To fully appreciate these films, they must be placed within the "nunsploitation" genre. This subgenre emerged in European cinema in the 1970s, blending religious iconography with transgressive, often violent and erotic, themes. Films like The Devils (1971) and Flavia the Heretic (1974) used the convent setting as a backdrop to critique religious and social hypocrisy. Mona receives unexpected "tender loving care" from Mother

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Sister Mona (played by Mona Wales) is sent to a different convent headed by the strict disciplinarian (Magdalene St. Michaels). The clergy hopes that Mother Joan's tough and uncompromising rule will finally put an end to Mona's carnal appetites and "immoral behavior". Struggles Within the Convent