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He looked at the poster of Chemmeen again. In that film, the sea was a character—the jealous, ancient god of Kerala’s coast. In Malavika’s films, the backwaters were still a character, but now they were clogged with plastic and the silent anxiety of a generation that had degrees but no jobs.

Even in mainstream commercial cinema, politics is never far away. Filmmakers like Sathyan Anthikad and Sreenivasan perfected the art of political satire in the 1980s and 1990s. Films like Sandesham (1991) brilliantly caricatured the blind obsession with party politics at the cost of personal responsibility, remaining a cultural touchstone for political discourse in Kerala to this day. The Realistic Transition and the "New Wave" He looked at the poster of Chemmeen again