The Japanese New Wave was a period of filmmaking that broke away from traditional studio conventions. Directors like Shohei Imamura and Nagisa Oshima used shocking and controversial subject matter, including incest, as a deliberate artistic tool to critique post-war Japanese society and challenge conventional morality. Imamura, for instance, used incestuous relationships in his films to metaphorically portray the "political anxieties and identity crises of Japanese society and culture" during its post-war rebuilding.
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