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“Filipinos tend to have a fear of empty space,” Limsui explained. “Whenever you see an empty space, we relate it to emptiness or a negative connotation. But the Japanese think of it as an important element in their design”. This philosophy, known as yohaku no bi (the beauty of blank space), elevates intentional voids into active elements of composition. At Yūgen, one can observe warm wood rising in various directions, saobuchi (latticed) ceilings that channel light, and quiet corners that invite lingering. The result is a space that is “deliberately expressive, warm, and creatively constructed amid the architectural hush”.